Mill Valley Film Fest: Gripping ‘The Grab’ documentary traces invisible conspiracy to control the world’s water

The preliminary story appeared like an remoted incident – the 2013 sale of Smithfield Meals, which controls 1 / 4 of the U.S. pork provide, to a Chinese language firm.

However as additional reporting dug up related overtures – Saudi Arabia quietly shopping for up land and its aquifer in Arizona, an intricate scheme to take land out from below farmers in Zambia — the scope of the menace grew to become ever extra clear. A world energy seize is underway as international locations scramble to grab up valuable land and very important sources, together with water and meals, in different nations.

Award-winning reporter Nathan Halverson and fellow journalists on the Emeryville-based Heart for Investigative Journalism spent seven years uncovering that internet for what grew to become a blitz of tales — and now, a documentary that hits the Mill Valley Movie Pageant this weekend.

The Seize,” a gripping movie by “Blackfish” director Gabriela Cowperthwaite, chronicles their investigation. It should display screen at 6 p.m. Oct. 7 and 1 p.m. Oct. 10 Monday at Mill Valley’s Sequoia theaters. Each Halverson and Cowperthwaite are slated to attend.

The documentary calls for undivided consideration, because it connects the dots of a serpentine investigation involving a number of international locations and factions that finally led to a journalistic gold mine  – the acquisition of 20,000 messages and a mess of inner paperwork pertaining to a corporation operated by former Blackwater founder Erik Prince. The plan referred to as for concentrating on resource-rich areas in Africa, significantly Zambia.

As “The Seize” explores how Russia, China, the U.S. and different international locations are reportedly staking a declare to sources in unethical methods, it additionally celebrates never-give-up journalism, the fading type that requires intense vetting and re-vetting to make sure that information get double and triple checked.

It was an eye-opening expertise for Cowperthwaite.

“I didn’t fairly grasp the concept that investigative journalism is in such embattled territory now, till I began to work with Nate,” she says.

Over these seven years of investigation, even Halverson was shocked by among the puzzle items — Russia, for instance, hiring away American cowboys to work on that nation’s altering panorama.

“You simply preserve peeling again layer after layer, and because it all begins to form of turn into clear what’s occurring, and the dots begin connecting, you understand that you simply’re not engaged on one story however the story of the twenty first century,” Halverson says. “All of these items are so interrelated.”

Alongside the best way, the investigation put the reporters and the movie crew within the crosshairs of highly effective individuals. At one level, the staff flew to Zambia, the place they have been detained as quickly as they landed, and advised they have to return house. As they waited within the airport safety workplace, they glanced up at a wall and noticed their names and passport IDs posted there.

Caught on the set of "The Grab," a gripping documentary by "Blackfish" director Gabriela Cowperthwaite, investigative journalist Nathan Halverson digs into a global land and resource grab. (MVFF)
Investigative journalist Nathan Halverson and colleagues on the set of “The Seize.” (MVFF) 

“I believe we began realizing that turning over all these stones and actually seeing, not simply that these have been very highly effective individuals, however these have been highly effective individuals who have entry to all types of retaliatory measures… That’s a little bit harrowing,” Cowperthwaite says. “However I believe that Nate would agree that our danger is nothing in comparison with the individuals on the bottom in Zambia and what they bear day-after-day, and the oldsters in Arizona who're experiencing ‘The Seize’ in actual time. Ours doesn’t maintain a candle to that.”

There’s a specter of colonialism operating by means of “The Seize,” as effectively. The tone of the paperwork and racist emails echoed again to different darkish durations in African historical past and hit each director and reporter arduous.

“This concept that humanity evolves in a trajectory means — this casts a whole lot of doubt on that, a minimum of for me,” Cowperthwaite says. “We’re alleged to study that we’re all linked, that it is a planet all of us share, and what hurts you'll finally damage all of us. It felt like the other. The parallels (to historic colonialism) are simply apparent. It’s that very same continent, and it’s individuals who don’t have a voice.”

If seeing land taken from Zambians, who're left unhoused, or listening to from struggling Arizona ranchers doesn’t have an effect on you, a glimpse of the longer term may, Cowperthwaite suggests.

“We’re going to see (the affect) in grocery shops,” she says. “We’re going to see it with refugees. We’re going to see it with illness. It doesn't observe borders.”

These useful resource and land grabs trigger battle and should incite conflict, the movie argues. “That battle is both going to be right here,” Cowperthwaite says, “or in locations that the U.S. deems essential to our geopolitical security and standing on the earth.”

Whereas “The Seize” points a dire warning and covers uncomfortable materials, the movie affords some hope, together with methods to take small however necessary actions that vary from supporting native farmers, buying at farmers markets and lowering the consumption of meat to enacting systemic change.

“We’re not simply speaking about one area, we’re speaking about your complete planet,” Halverson stated. “It makes a extremely robust case for individuals to step ahead and make requisite modifications, whether or not that’s on the systemic ranges of legal guidelines or on the private stage on how we devour meals.”

Discover extra data and get tickets ($8-$16.50) at mvff.com.

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