“Out of the best books”: How I found God and myself by reading between the lines

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Zoë Petersen, Deseret Information

Just a few years in the past, as I mirrored on the course of my work as a trainer and scholar, I discovered myself asking some pretty typical midcareer — and midlife — questions: What do I most worth? What do I deem most vital? What brings me and others the best pleasure? In brief, what do I really like? And the way can I attend to what I really like extra totally? Many solutions to those questions supplied themselves.

I'm an English professor and the director of a analysis middle, so I really like literature and the push of latest and large concepts. I really like college life and the friendships it has helped me kind with folks everywhere in the world. I really like so many college students — scores of them, a whole lot, extra — whom I've had the privilege to show. However one reply saved calling to me with specific insistence, each as one thing I really like and worth in itself and as one thing that binds collectively all the opposite issues I really like. Non secular expertise.

To be clear, I don't love non secular expertise as a substitute of different issues however moderately as what finest allows all points of my expertise to be most genuine, most themselves, even because it connects my expertise to issues better than itself. This consists of discerning connections in any other case hidden from us or feeling extra intensely the wonder or which means of issues to which we would in any other case be dulled.

It means discovering ourselves able to better levels of affection and achievement, well being and hope, self-realization and self-transcendence, and a lot extra. Redemptive immersion in a world made new by means of non secular expertise: That is what I really like.

Transformation is among the hallmarks of non secular expertise. Its results may be dramatic or refined. Provocatively, expertise alone suggests as a lot, as its phrase root means to move by means of peril (ex-periri), rendering us completely different than we had been earlier than.

Philip Sheldrake, a extensively printed scholar on spirituality, underscores this high quality by associating our non secular journeys with “final values,” we study to set towards a “purely materialistic way of living.”

Non secular expertise modifications how we understand the world and our place in it, thus revealing to us another life story, a special and higher technique to be.

Sandra M. Schneiders, a peer of Sheldrake’s, elaborates that spirituality is a “aware and deliberate way of life” that “orients the topic past purely non-public satisfaction towards the last word good, the very best worth, that the particular person acknowledges.” This “final good” drives us towards new and higher variations of ourselves. It transforms our character.

I started regarding literature as a non secular medium as a result of literature is, formally, a revelatory train: By way of it, we see the world afresh. Paraphrasing John Milton, poetry justifies the methods of God to humankind. Literature provides voice to what we might understand, intuit or hope however can not (but) be mentioned totally to know or perceive.

It's reality in means of formation.

“Literature makes us extra human. And it makes our humanity appear extra divine.”

As such, literature is a precursor of emergent realities, each on this planet and in ourselves: it forges new neural pathways, new capacities to suppose and really feel and be. The research of literature has been an vital a part of my non secular journey, making the 2, for me, a pure pair.

Non secular experiences may be much more edifying if we study to view them by means of the lens of literature, gaining from the knowledge of masters as they provide us a brand new language to consider and talk these profound moments extra powerfully.


Why do we'd like literature? Definitely, there's a lot to admire in considerate, fantastically crafted narratives, poems and performs, in gripping tales, layered characters and poignant turns of phrase. However want is extra intense than admiration, extra determined than mere affection.

A graduate faculty good friend as soon as remarked to me, astutely, that if one surveys all of the world’s civilizations over the course of identified historical past, one can discover loads of examples of societies that had no idea of personal property or insurance coverage industries or skilled sports activities groups or universities or attorneys or finance capitalists or plastic surgeons (and so forth and so forth). However there isn't a instance, not one, of societies that had no artwork. Artwork, apparently, is a common human want. And that features verbal artwork: literature. In that respect, literature is like faith: No society exists with out it.

That we want literature is an anthropological truism. The belief that I want literature was a cumulative epiphany whose full realization solely dawned on me as soon as I used to be again at school. Literature stimulates the thoughts and stirs the center, fostering better empathy and thus growing our capability to really feel and understand. It opens us to new worlds and different lives, inspiring shocking turns of thought and beautiful — and generally anguished — threnodies of emotion.

“There isn't a instance, not one, of societies that had no artwork. Artwork, apparently, is a common human want.”

Non secular experiences enrich our lives, and but, they're tough to outline, not to mention retain, as they often “can't be uttered” or given kind. That is the place literature probably turns into an important instrument. Lengthy imagined as a reservoir of non secular associations (as William Wordsworth places it, of “ideas that do usually lie too deep for tears”), literature lends expression to experiences which might be of final worth, non secular worth, but additionally appear set other than the pains of on a regular basis life and due to this fact may be arduous to know.

Literature precipitates, within the Jewish poet Hank Lazer’s phrases, “an intensified consciousness of being,” an “erratic motion” between what's acquainted and what we don't but totally perceive (or, in some circumstances, even understand). Usually categorized as an impact of marvel, literature’s presentation of atypical issues in new and shocking methods quantities to a novel tactic for revealing “final” functions.

It reveals the non secular — human and divine — thriller of our lives. 

Thus, when Christ on the cross utters his plaintive cry of agony — “My God, my God, why hast thou forsaken me?” — he cites poetry: Psalms 22:1. By way of that literary allusion, the Gospel narrative creates a set of associations for what's in any other case unfathomable. Empowering us to replicate on the unthinkable and intensifying our expertise, literature makes us extra human. And it makes our humanity appear extra divine. 

Why do faith and literature appear to want one another? As a result of whereas they're generally held aside within the fashionable world — I do know loads of non secular individuals who learn little or no literature and loads of literary students who're nonreligious — the 2 are mutually implicating.

Think about Christianity with out the Gospel narratives of Christ, dense with such literary options as rising and falling motion, protagonists and antagonists, and metaphors and paradoxes; or contemplate a number of the beautiful lyrics that grace our hymns. Literature is all by means of faith. And the reverse can also be true.

Literature is usually mentioned to have usurped the place of faith within the secularizing world of the nineteenth century, to have develop into the focus for our collective tales of affection and loss, grace and perplexity, hope and redemption. However this solely displaces the non secular impulse onto literature, such that the very wedge that will divide them turns into the linchpin that unites them extra profoundly.

If literature turns into a contemporary faith, then that is solely to acknowledge we'd like them each.


A life extra like itself — this high quality emerged traditionally as an integral impact of literary narrative on the similar time that fashionable scientific strategies had been being elaborated within the seventeenth and 18th centuries. As new concepts of factuality, or of what constitutes reality, entered the world, predicated much less on philosophical cause than on experimentation in laboratories, literature developed right into a form of digital actuality.

It modeled itself on discourses of reality — on proof and goal fact — even because it displaced itself from them. “I used to be born within the Yr 1632, within the Metropolis of York, of a superb Household, tho’ not of that Nation, my Father being a Foreigner ...” So opens Daniel Defoe’s 1719 narrative “Robinson Crusoe,” generally labeled the primary fashionable novel. Defoe’s readers knew that Crusoe was a fictive character, however there was an authenticity to his story, a recent relevance to the way in which he offered himself and sized up the world.

“If science gave us details, literature accorded us which means; it spoke not solely to what's actual however to why we care.”

Defoe’s narrative was vividly lifelike, true to life. It staked a place of proximity relative to those new methods of realizing, “in however not of the world” of reality, of science. This grew to become literature’s strategic vantage level. It may mirror life in acquainted methods even because it imagined new lives, new worlds into existence. If science gave us details, literature accorded us which means; it spoke not solely to what's actual however to why we care.

Within the fashionable world, literature thus grew to become a particular sanctuary of which means, a non secular sanctuary. Maybe it shouldn't be shocking, then, that in a lesser however associated means, literature is claimed to domesticate related traits, stimulating the thoughts and stirring the center, fostering better empathy and thus growing our capability to really feel and understand. Literature helps us domesticate our sensitivity to non secular issues, opening us to new methods of pondering and feeling.


My work has thus at all times had a form of high quality of metaphor, one space of life opening transformatively onto one other: my non secular life onto my scholarly life, the latter onto my devotional life, and that final onto pulsations and colours of the on a regular basis.

Metaphor is a strong instrument in life as a lot as literature. Evoking one factor by the use of one other, as within the phrases “My love is a rose” or “God is love,” metaphor helps us visualize in any other case unfamiliar conditions or issues; it renders summary concepts extra concrete by connecting them to things of our expertise. Extra than simply comparative, metaphor is transformative: on the very least, it modifications how we take into consideration the objects, concepts or experiences it names. It converts this into that.

However non secular expertise, I discover, additionally modifications how we understand metaphors. Often, we acknowledge a metaphor as a metaphor. Love just isn't actually a rose, however the determine of speech renders love extra sensuous, extra vivid. However after we attraction to metaphors to explain non secular experiences, one thing occurs: The metaphor nearly melds with the article it describes.

And so it's with different points of our lives.

Time with mates generally is a non secular expertise, and as soon as we have now had such an expertise, we take into consideration these mates in another way. An expertise of studying may also be a non secular expertise, and whether it is, we at all times suppose slightly in another way about what we have now realized. Non secular expertise basically modifications its automobiles; it converts metaphors from instruments for pondering into emblems of a world reborn. In its means, it brings literature, so wealthy in metaphorical language, to life.

This essay is a modified excerpt from Matthew Wickman’s “Life to the Complete Being: The Non secular Memoir of a Literature Professor” printed by the BYU Maxwell Institute. Matthew Wickman is a professor of English and founding director of the BYU Humanities Heart. He's the writer of quite a few articles and two books: “The Ruins of Expertise: Scotland’s ‘Romantick’ Highlands and the Beginning of the Trendy Witness” and “Literature After Euclid: The Geometric Creativeness within the Lengthy Scottish Enlightenment.”

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